Marc Benioff and this panel of judges will decide who gets one seat on the first all-civilian spaceflight

SpaceX’s first all-civilian human spaceflight mission, which will carry four passengers to orbit using a Crew Dragon capsule later this year if all goes to plan, will include one passenger selected by a panel of judges weighing the submissions of entrepreneurs. The panel will include Salesforce CEO Marc Benioff, Fast Company Editor-in-Chief Stephanie Mehta, YouTuber Mark Rober and Bar Rescue TV host Jon Taffer. It may seem like an eclectic bunch, but there is some reason to the madness.

This seat is one of four on the ride – the first belongs to contest and mission sponsor Jared Isaacman, the founder of Shift4 Payments and a billionaire who has opted to spend a not insignificant chunk of money funding the flight. The second, Isaacman revealed earlier this week, will go to St. Jude Children’s Research Hospital employee and cancer survivor Hayley Arceneaux.

That leaves two more seats, and they’re being decided by two separate contests. One is open to anyone who is a U.S. citizen and who makes a donation to St. Jude via the ongoing charitable contribution drive. The other will be decided by this panel of judges, and will be chosen from a pool of applicants who have build stores on Shift4’s Shift4Shop e-commerce platform.

That’s right: This absurdly expensive and pioneering mission to space is also a growth marketing campaign for Isaacman’s Shopify competitor. But to be fair, the store of the winning entrant doesn’t have to be news – existing customers can also apply and are eligible.

The stated criteria for deciding the winner is “a business owner or entrepreneur the exhibits ingenuity, innovation and determination” so in other words it could be just about anybody. I’m extremely curious to see what Benioff, Mehta, Rober (also a former NASA JPL engineer in addition to a YouTuber) and Taffer come up with between them as a winner.

The Inspiration4 mission is currently set to fly in the fourth quarter of 2021, and mission specifics including total duration and target orbit are yet to be determined.

Fox Sports to broadcast the full season of NASCAR’s virtual race series

Esports racing, helped by record-setting viewership, is hitting the big time.

Fox Sports said Tuesday it will broadcast the rest of the eNASCAR Pro Invitational iRacing Series, following Sunday’s virtual race that was watched by 903,000 viewers and attracted, according to Nielsen Media Research.

While those numbers are far below the millions of viewers who watch NASCAR’s official races — the last one at Phoenix Raceway reached 4.6 million — it still hit a number of firsts that Fox Sports found notable enough to commit to broadcasting the virtual racing series for the remainder of the season, beginning March 29.

The races will be simulcast on the FOX broadcast network, Fox Sports iRacing and the FOX Sports app. Races will be available in Canada through FOX Sports Racing.

Virtual racing, which lets competitors race using a system that includes a computer, steering wheel and pedals, has been around for years. But it’s garnered more attention as the spread of COVID-19, the disease caused by coronavirus, has prompted sports organizers to cancel or postpone live events, including the NCAA March Madness basketball tournament, NBA, NHL and MLB seasons as well as Formula 1 and NASCAR racing series.

NASCAR ran its first virtual race in the series on Sunday in lieu of its planned race at the Homestead-Miami Speedway, which was canceled due to COVID-19. Not only was it the most watched esports event in U.S. television history, it was Sunday’s most-watched sports telecast on cable television that day.

“This rapid-fire collaboration between FOX Sports, NASCAR and iRacing obviously has resonated with race fans, gamers and television viewers across the country in a very positive way,” Brad Zager, FOX Sports executive producer said in a statement. “We have learned so much in a relatively short period of time, and we are excited to expand coverage of this brand-new NASCAR esports series to an even wider audience.”

Granted, there aren’t any live sports to watch in this COVID-19 era. Still, it bodes well for the future of esports, perhaps even after the COVID-19 pandemic ends.

“The response on social media to last Sunday’s race has been incredible,” said four-time NASCAR Cup Series champion Jeff Gordon, who is announcer for Fox NASCAR. “We were able to broadcast a virtual race that was exciting and entertaining. It brought a little bit of ‘normalcy’ back to the weekend, and I can’t wait to call the action Sunday at Texas.”

NASCAR isn’t the only racing series to turn to esports. Formula 1 announced last week that it would host an esports series, the F1 Esports Virtual Grand Prix series, with a number of current F1 drivers alongside a number of other stars.

The virtual Formula 1 races will use Codemaster’s official Formula 1 2019 PC game and fans can follow along on YouTube, Twitch and Facebook, as well as on F1.com. The races will be about half as long as regular races, with 28 laps. The first race took place March 22. The first-ever virtual round of the Nürburgring Endurance Series kicked off on March 21.

Disney+ to launch in India, Southeast Asian markets next year

Disney plans to bring its on-demand video streaming service to India and some Southeast Asian markets as soon as the second half of next year, two sources familiar with the company’s plans told TechCrunch.

In India, the company plans to bring Disney+’s catalog to Hotstar, a popular video streaming service it owns, after the end of next year’s IPL cricket tournament in May, the people said.

Soon afterwards, the company plans to expand Hotstar with Disney+ catalog to Indonesia and Malaysia among other Southeast Asian nations, said those people on the condition of anonymity.

A spokesperson for Hotstar declined to comment.

Hotstar leads the Indian video streaming market. The service said it had more than 300 million monthly subscribers during the IPL cricket tournament and ICC World Cup earlier this year. More than 25 million users simultaneously streamed one of these matches, setting a new global record.

The international expansion of Hotstar isn’t a surprise as it has entered the U.S., Canada, and the U.K. in recent years. In an interview with TechCrunch earlier this year, Ipsita Dasgupta, president of Hotstar’s international operations, said so far the company’s international strategy has been to enter markets with “high density of Indians.”

In an earnings call for the quarter that ended in June this year, Disney CEO Robert Iger hinted that the company, which snagged Indian entertainment conglomerate Star India as part of its $71.3 billion deal with 21st Century Fox, would bring Star India-operated Hotstar to Southeast Asian markets, though he did not offer a timeline.

Disney+, currently available in the U.S, Canada, and the Netherlands, will expand to Australia and New Zealand next week, and the U.K., Germany, Italy, France and Spain on March 31, the company announced last week.

Price hike

Disney, which debut its video streaming service in the U.S. this week and has already amassed over 10 million subscribers, plans to raise the tariff of Hotstar in India, where the service currently costs $14 a year, one of the two aforementioned people said.

A screenshot of Hotstar’s homepage

The price hike will happen towards the end of the first quarter next year, just ahead of commencement of next IPL cricket tournament season, they said. The company has not decided exactly how much it intends to charge, but one of the people said that it could go as high as $30 a year.

In other Southeast Asian markets, the service is likely to cost above $30 a year as well, both of the sources said. The prices have yet to be finalized, however, they said. Even at those suggested price points, Disney would be able to undercut local rivals on price. Until recently, Netflix charged at least $7 a month in India and other Southeast Asian markets. But this year, the on-demand streaming pioneer introduced a $2.8 monthly tier in India and $4 in Malaysia.

Hotstar offers a large library of local movies and titles syndicated from Showtime, HBO, and ABC (also owned by Disney). In its current international markets, Hotstar’s catalog is limited to some local content and large library of Indian titles.

The arrival of more originals from Disney on Hotstar, which already offers a number of Disney-owned titles in India, could help the service sustain users after cricket seasons. The service’s monthly userbase plummets below 60 million in weeks following IPL tournament, according to people who have seen the internal analytics.

In recent quarters, Hotstar has also set up an office in Tsinghua Science Park in Beijing, China and hired over 60 engineers and researchers as it looks to expand its tech infrastructure to service more future users, according to job recruitment posts and other data sourced from LinkedIn.

Stranger Things 3 racks up most viewers in first four days for a Netflix show ever

Netflix’s most recent season (serialized sequel might actually be more accurate) of Stranger Things is breaking records: The streaming company shared that 40.7 million accounts have been watching the show since it became available on the service on July 4. That’s more than any other Netflix show or movie in its first four days of availability on the service.

It’s also been deemed bingeworthy by a large number of those viewers, since Netflix also said that over 18.2 million accounts (this means households, Netflix is keen to note, so actual viewer numbers could be much higher) have actually already finished the entire third season.

That means just about half of the accounts that have started the season have already finished all eight roughly hour-long episodes, just four days after it became available. I am among those people, in fact – though I was doing that in part because it was the topic of discussion for our most recent episode of Original Content.

For comparison’s sake, consider that HBO’s Game of Thrones finale managed about 19.3 million viewers for its first day, including live viewers, early time-delayed streams after the airing and replays.

AT&T’s WarnerMedia might be punting on its original streaming service plans

WarnerMedia’s plans for a three-tiered streaming service appear to be influx. The AT&T-owned company is reportedly scrapping that idea and opting instead to offer HBO, Cinemax and the library of Warner Bros. content in a single subscription service that would cost between $16 and $17 a month, Wall Street Journal reported citing unnamed sources.

The service would first be offered as a beta product later this year and could be offered broadly as early as next March.

TechCrunch will update the article if WarnerMedia responds to a request for comment.

This latest development follows a number of changes over at WarnerMedia, including the departure of HBO CEO Richard Pleper and Turner president David Levy.

Former NBC Entertainment chairman Bob Greenblatt has joined as chairman of WarnerMedia Entertainment and Direct-to-Consumer, putting him in charge of HBO, TBS, truTV and the WarnerMedia streaming service.

AT&T first opened up in November about its plans for its WarnerMedia streaming service. The company said at the time, that the service would have three tiers — an entry-level, movie-focused service; a premium tier with original programming and blockbusters as well as a bundle that includes them both.

During an earnings call a few months later,  AT&T CEO Randall Stephenson expounded on the service and said it would have a “two-sided business model.” The idea was to include subscription-based, commercial-free programming on the high-end as well as an entry-level portion of the service will be ad-supported, according to the Stephenson’s comments at the time..

Whatever the structure ultimately ends up being, the aim is to leverage the entertainment properties AT&T gained by way of its Time Warner acquisition last year.

Samantha Bee: Canadian, comedian, and defender of the free press

The only job named in and protected by the U.S. constitution is journalism. But when it’s under attack from fake news, misinformation, and the supposed defender-of-the-constitution-in-chief, who looks out for the press?

Reporters have an unlikely ally in the late night comedy circuit.

Late night television has a steady stream of male comedians ready to cursorily pick apart the news of the day, often mocking the dispatches of the press — typically the government — before they turn to a light hearted interview with a celebrity to round off the night.

But not Samantha Bee. The Canadian-born comedian and former ‘Daily Show’ correspondent, is the only female comedian with a late-night show, Full Frontal, and doesn’t waste a second not holding the powers to account. Her show, which films and airs on TBS every Wednesday, offers a weekly record of the abuses of the government by bringing both the big stories and the little-read reports to her massive viewing audience.

It’s no surprise that President Trump, an ardent critic of the press, declined for the third consecutive year to attend Saturday’s White House Correspondent’s Dinner, an annual gala for the White House press corps that “celebrates” the First Amendment’s protections of free speech — often by taking comical potshots at the commander-in-chief himself. The only saving grace for the president’s would-be roasting is the dinner’s organizers, the White House Correspondents’ Association, dropped the traditional comedy set altogether after Michelle Wolf’s pointed if not controversial set last year — which Bee herself defended.

Enter Bee with her own rival event, the aptly named Not The White House Correspondent’s Dinner, a party in its third year for “the free press… while we still have one,” said Bee.

“We’re throwing the party they should be having,” she said.

WASHINGTON, DC – APRIL 26: Samantha Bee speaks onstage during “Full Frontal With Samantha Bee” Not The White House Correspondents Dinner – Show on April 26, 2019 in Washington, DC. (Photo by Tasos Katopodis/Getty Images for TBS) 558325

A free meal and an hour of comedy aside, support for the press is as important as ever. With more frequent attacks on the press, the murder of Jamal Khashoggi, and the regular insults of “fake news,” press freedom is in a vice.

“Journalists are critical to creating an informed citizenry, to make sure we’re hold public officials account, and to get basic information about the world around us,” said Courtney Radsch, advocacy director at the Committee to Protect Journalists, a non-profit dedicated to promoting press freedom and advocating the rights of reports across the world.

“By labeling journalists as ‘enemies of the people’,” said Radsch, a term repeatedly used by Trump, including days prior to a newsroom shooting at Baltimore’s Capital Gazette newspaper, “it creates conditions that make it less safe for reporters to work.”

Last year, the CPJ’s Press Freedom Tracker database logged over a hundred incidents — from murders to physical attacks, border searches and legal orders — involving the press.

“This constant denigration of the media as ‘fake news’ has a really detrimental impact,” she said.

Bee isn’t alone in her efforts to support the free press. Other fellow comedians like John Oliver and Hasan Minhaj use their platform to educate and inform about “fundamental issue that concern more than just journalists,” said Radsch.

Bee’s weekly half-hour show is a journalistic effort in its own right. But as a comedy show, it’s largely shielded from the near-constant attacks that the press face from the Trump administration and its allies.

With all proceeds from the dinner going to the Committee to Protect Journalists, Bee has shown to not only serve as an ally for reporters but also a staunch defender of the free press.

“No-one needs the press more than me and my show,” said Bee at the dinner. “We spend all day reading and watching and thinking about the news.”

“Journalism is essential,” she said. And then she broke into song.

Samantha Bee’s Not The White House Correspondent’s Dinner airs Saturday at 10pm ET on TBS. TechCrunch was invited as a guest.

Steve Carell is coming to Netflix in a new comedy about the US government’s new Space Force

Steve Carell is coming back to small-screen comedy for a new Netflix series about the people tasked with creating the “Space Force” — the proposed sixth branch of the military.

Details about the new show from Carell and Greg Daniels, who was the mind behind the American version of “The Office,” are sketchy. Netflix hasn’t given any specifics about the number of episodes or potential release date.

What’s certain is that this Space Force is less likely to draw criticism and condemnation than the real proposal put forward by President Donald Trump last year.

Vice President Pence announced that the Space Force would make its debut in 2020. That could be well after Netflix gets the Carell series up and running.

The Space Force project marks the second series Carell has signed on to do with a streaming service provider. He’s also on board for the Jennifer Aniston and Reese Witherspoon-led ensemble drama about a morning TV show.