Netflix employees stage a trans solidarity walkout, pose list of demands

Netflix employees staged a walkout yesterday in response to the company’s handling of a Dave Chappelle special that premiered on October 5. At the same time, Los Angeles-based trans activist Ashlee Marie Preston hosted a rally in solidarity with Netflix workers participating in the walkout. Netflix stars like Jonathan Van Ness of “Queer Eye” and Mason Alexander Park of “Cowboy Bebop” and “The Sandman” expressed their solidarity in a video made for the rally, alongside other Hollywood stars and trans advocates like Angelica Ross, Jameela Jamil, Kate Bornstein, Our Lady J, Sara Ramirez, Peppermint and Colton Haynes.

“We value our trans colleagues and allies, and understand the deep hurt that’s been caused. We respect the decision of any employee who chooses to walk out, and recognize we have much more work to do both within Netflix and in our content,” a Netflix spokesperson said in a statement provided to TechCrunch.
The exact turnouts of the employee walkout and solidarity rally are unclear, but there was enough hype around the event that Preston preemptively moved it to a location with more space.

The employees who participated in the walkout want Netflix to “adopt measures to avoid future instances of platforming transphobia and hate speech,” they wrote in a letter. They want Netflix to address a list of demands in the categories of content investment, employee relations and safety, and harm reduction.

When it comes to content, the group wants Netflix to increase its funding of trans and non-binary talent, bring employee resource groups into conversations about potentially harmful content, hire more trans and non-binary content executives, and revise internal procedures around commissioning and releasing sensitive works. In terms of employee relations and safety, they want Netflix to recruit trans people, especially BIPOC, for leadership roles, allow employees to remove themselves from previous promotional content like allyship and diversity videos, and eliminate references and imagery of transphobic titles and talent in the workplace. For harm reduction, they want Netflix to acknowledge the company’s harm in platforming transphobic content, add a disclaimer before transphobic titles, boost promotion for trans-affirming titles on the platform, and suggest trans-affirming content alongside those flagged as anti-trans.

The demands do not include removing the controversial Dave Chappelle special from Netflix, which sparked backlash from some employees and Netflix subscribers concerned with the company’s platforming of transphobic speech.

When asked in an interview with the Hollywood Reporter, co-CEO Ted Sarandos didn’t say whether he would meet the group’s demands.

“For the last couple of days, it’s been just listening to folks and hearing out how they’re feeling and what they’d like. I want to say that we are deeply committed to inclusion on screen and behind the camera and in our workplace,” Sarandos told the Hollywood Reporter.

He seemed doubtful that he would meet their demand to add a disclaimer about transphobia before Chapelle’s special.

“The content is age-restricted already for language, and Dave himself gives a very explicit warning at the beginning of the show, so I don’t think it would be appropriate in this case,” he said.

Before Netflix released the Chappelle special, employees raised concerns about potentially harmful anti-trans jokes in the show — Chapelle declared that he’s “Team TERF,” referring to trans-exclusionary radical feminists, who oppose the movement for transgender rights. But Sarandos doubled down on his defense of the special, writing an internal email that “content on screen doesn’t directly translate to real-world harm.” After receiving backlash, he later told the Hollywood Reporter, “I 100% believe that content on screen can have impact in the real world, positive and negative.”

Netflix Trans Employees and Allies Walkout In Protest Of Dave Chappelle Special

LOS ANGELES, CALIFORNIA – OCTOBER 20: Writer-director Joey Soloway speaks as trans employees and allies at Netflix walkout in protest of Dave Chappelle special on October 20, 2021 in Los Angeles, California. Netflix has decided to air Chappelle’s special, which contains jokes about transgender people, even though some employees have voiced concerns they feel have been ignored by the company. (Photo by Rodin Eckenroth/Getty Images)

Netflix Senior Software Engineer Terra Field, who is transgender, tweeted a viral thread about the Chappelle special.

“We aren’t complaining about ‘being offended,’ and we don’t have ‘thin skin,'” she wrote. “What we object to is the harm of that content like this does to the trans community (especially trans people of color) and VERY specifically Black trans women.”

Field was later suspended, along with two other employees, for attempting to attend an online meeting of top executives, according to reports. But she was reinstated after Netflix found that a director had shared a link to the meeting with her, implying that it was okay to attend.

Soon after, Netflix’s trans employee resource group began organizing a walkout. But B. Pagels-Minor, the organizer of the walkout and global lead of both the Black and Trans employee resource groups, was fired on Friday. Their termination sparked more backlash against Netflix.

“We have let go of an employee for sharing confidential, commercially sensitive information outside the company,” a Netflix representative told TechCrunch last week. “We understand this employee may have been motivated by disappointment and hurt with Netflix, but maintaining a culture of trust and transparency is core to our company.”

TechCrunch was able to reach B. Pagels-Minor, but they did not offer a comment.

The leaked information in question appears to be some internal metrics on “The Closer” that appeared in a story by Bloomberg, which reported that Netflix spent $24.1 million for the one-off special. Meanwhile, the company spent $3.9 million on Bo Burnham’s recent comedy special “Inside” and $21.4 million on the buzzy, nine-episode “Squid Game,” Netflix’s best-ever debut.

Netflix told TechCrunch that the employee admitted to sharing the content externally. But Pagels-Minor’s lawyer told the New York Times this week that “B. categorically denies leaking sensitive information to the press.” A former Netflix employee with knowledge of the situation told TechCrunch that they highly doubt that Pagels-Minor leaked these documents, as they had both been critical of the leaks in public company chats.

Netflix told TechCrunch that its internal access logs showed that only one person viewed sensitive data about the titles mentioned in the Bloomberg article.

Netflix fired the employee who organized a walkout in solidarity with trans workers

Netflix fired an employee who led the company’s trans employee resource group and planned a walkout on October 20, a current and former Netflix employee with knowledge of the situation confirmed to TechCrunch. The termination was first reported by The Verge.

Netflix workers planned the walkout to protest statements that its co-CEO Ted Sarandos made about Dave Chappelle’s recently released special, “The Closer.” The company claims that it fired the employee in question because the company suspects that they leaked internal information.

“We have let go of an employee for sharing confidential, commercially sensitive information outside the company,” a Netflix representative told TechCrunch. “We understand this employee may have been motivated by disappointment and hurt with Netflix, but maintaining a culture of trust and transparency is core to our company.”

The leaked information in question appears to be some internal metrics on “The Closer” that appeared in a story by Bloomberg, which reported that Netflix spent $24.1 million for the one-off special. Meanwhile, the company spent $3.9 million on Bo Burnham’s recent comedy special “Inside” and $21.4 million on the buzzy, nine-episode “Squid Game,” Netflix’s best ever debut.

Earlier this month, as Netflix prepared to release “The Closer,” employees raised concerns about potentially harmful anti-trans jokes in the show — Chapelle goes as far as declaring that he’s “Team TERF,” referring to trans-exclusionary radical feminists, who conflate gender with biological sex and oppose the movement for transgender rights. When Netflix released the special on October 5 anyway, employees and Netflix subscribers alike lashed out against the streaming service.

The day after the special’s release, a trans software engineer at Netflix Terra Field tweeted a viral thread about the impact of anti-trans rhetoric. “Promoting TERF ideology (which is what we did by giving it a platform yesterday) directly harms trans people, it is not some neutral act. This is not an argument with two sides. It is an argument with trans people who want to be alive and people who don’t want us to be,” Field wrote. 

Soon after, Netflix suspended Field and two other employees for attempting to attend a director-level meeting that they weren’t invited to. But Field was reinstated the next day after finding that she didn’t try to attend the meeting with ill intent — in fact, a Director had shared the link, leading her to think she could attend. But some Netflix employees were fed up, especially after co-CEO Ted Sarandos wrote in an email to them that “content on screen doesn’t directly translate to real-world harm.” He continued, “we have ‘Sex Education,’ ‘Orange Is the New Black,’ ‘Control Z,’ Hannah Gadsby and Dave Chappelle all on Netflix. Key to this is increasing diversity on the content team itself.”

A lesbian comedian celebrated for her Emmy-winning Netflix special “Nanette,” Hannah Gadsby spoke out against Sarandos’ attempt to paint her as a figurehead for queer inclusivity at Netflix.

“You didn’t pay me nearly enough to deal with the real world consequences of the hate speech dog whistling you refuse to acknowledge, Ted,” she wrote on Instagram. “Fuck you and your amoral algorithm cult.”

As Netflix fans the flame by firing an organizer of the upcoming trans walkout, some people are posting links to cancelnetflix.com, which directs users to Netflix’s help page on how to cancel subscriptions.

We have been reading all of your comments and using them to continue advocating for bigger and better queer representation,” tweeted Most, Netflix’s LGBTQ+ account. “Ok you can go back to yelling at us now.”

Netflix commits $1 billion to make New Mexico home to one of the world’s largest studios

Netflix is committing $1 billion in production spend at its ABQ Studios in Albuquerque, New Mexico, along with plans to expand those studios, the company said.

In an announcement alongside New Mexico’s Governor Michelle Lujan Grisham and Albuquerque Mayor Tim Keller, Netflix’s chief executive Ted Sarandos said the company would add 300 acres to its existing space in ABQ Studios, creating one of the largest film production facilities in North America.

That means roughly 1,000 new production jobs in New Mexico over the next 10 years, the company predicted, and an additional 1,467 construction jobs to complete the expansion.

“My administration has expanded our state’s competitive film incentives, facilitating higher-wage employment for New Mexicans all across the state, and increased opportunities for rural communities,” said Governor Michelle Lujan Grisham.

The proposed expansion and $150 million in capital expenditures will add 10 new stages, post-production services, mills, backlots and training facilities, wardrobe suites, a commissary and other flexible buildings.

New Mexico’s government is providing $17 million in funding and the city of Albuquerque is providing another $7 million in financing, including $6 million in infrastructure in-kind financing.

The city is also issuing bonds to abate property and other taxes over a 20-year term to cover the first $500 million investment by Netflix to build out the production facility.

As part of the deal, Netflix has also agreed to lease 130 acres from the State Land Office in addition to the private purchase of another 170 acres.

New Mexico’s Economic Development Department Cabinet Secretary, Alicia J. Keyes, said the deal could ultimately result in $2.5 billion worth of spending in the state.

Netflix also committed to supporting the state’s indigenous, Latino, Black and other underrepresented content creators and filmmakers.

Productions filming in New Mexico currently include “The Harder They Fall” and “Intrusion” — and the company expects to begin shooting the next season of “Stranger Things” in the state.

 

Ted Sarandos named co-CEO at Netflix

Ted Sarandos, the longtime leader of Netflix’s content efforts, has been named co-CEO with co-founder and current CEO Reed Hastings.

Sarandos will continue to serve as the company’s chief content officer, and he’s joining the company’s board of directors as well. Meanwhile, Chief Product Officer Greg Peters is taking on the additional role of chief operating officer.

In a blog post, Hastings said he does not expect this to result in major change to the company’s operations. Instead, he suggested that the “well deserved promotion” is simply “formalizing how we already run the business today.”

Hastings recalled meeting Sarandos more than 20 years ago, crediting him with much of the company’s recent success:

While I saw streaming coming and pushed for it, Ted drove the revolution in our content strategy, which was way ahead of its time and has been key to our continued success. It was typical of his ability to see where the industry – and consumer tastes – are headed. He’s built an extraordinary team, attracting some of the most creative and best entertainment executives from all around the world.

The announcement was timed with the company’s second quarter earnings announcement, in which it also revealed adding more than 10 million paid memberships in the past quarter, growing to 192.95 million paid members total. Meanwhile, operating revenue grew to more than $1.041 billion, with earnings per share of $1.59.

Updating

Netflix says it would ‘rethink’ filming in Georgia if abortion law takes effect

Netflix’s chief content officer Ted Sarandos said the streaming service (which is spending billions of dollars on an ever-growing catalog of original content) will “rethink [its] whole investment in Georgia” if a recently-signed abortion law goes into effect.

Sarandos’ statement was first published in Variety. The industry publication said it reached out to the major studios for comment on the issue, and it contrasted his position with a lack of response from The Walt Disney Company, WarnerMedia, Sony Pictures Entertainment, NBCUniversal, Viacom, Fox and Amazon Studios.

“We have many women working on productions in Georgia, whose rights, along with millions of others, will be severely restricted by this law,” Sarandos said. “It’s why we will work with the ACLU and others to fight it in court. Given the legislation has not yet been implemented, we’ll continue to film there, while also supporting partners and artists who choose not to. Should it ever come into effect, we’d rethink our entire investment in Georgia.”

This comes the stars of two Netflix shows — Jason Bateman of “Ozark” and Alyssa Milano of “Insatiable” — have said they would stop filming in the state if the law takes effect.

Other filmmakers have taken the route of Ron Howard and Brian Grazer, who said they proceed with plans to film their Netflix movie “Hillbilly Elegy” in Georgia while making a donation to the ACLU to fight the anti-abortion legislation. (Howard and Grazer also said they will boycott the state if the law takes effect.)

The law in question, which was signed by Georgia Governor Brian Kemp on May 7, prohibits abortion after the detection of a fetal heartbeat — something that usually happens after six weeks of pregnancy. It’s widely seen as part of a larger effort aimed at getting the Supreme Court to overturn or weaken the abortion protections established in Roe v. Wade.

Thanks to state tax incentives, Georgia has become a hub for film and TV, with productions bringing the state an estimated $2.7 billion in revenue in 2017.

Netflix reportedly paid $10M for campaign documentary featuring Alexandria Ocasio-Cortez

Freshman Congresswomen and meme queen Alexandria Ocasio-Cortez is headed to Netflix. The streaming service said this week that it has snapped up ‘Knock Down the House,’ a Sundance award-winning documentary profiling the campaigns of four female progressive candidates, including Ocasio-Cortez, in the 2018 midterm election.

The documentary raised money via a Kickstarter campaign last year and it grabbed the Festival Favorite Award at the 2019 Sundance Film Festival, beating 121 other contenders to land the highest number of audience votes.

That acclaim and the rising star of Ocasio-Cortez looks to have made the picture a hot commodity. Deadline reports that Netflix is spending $10 million to secure the film, a price that — if true — would make it the most expensive Sundance documentary deal to date. It apparently beat off competition from NEON, Focus, Hulu and Amazon to land the production, according to Deadline.

‘Knock Down the House’ is produced by New York’s Jubilee Films and it profiles the campaigns of Las Vegas businesswoman Amy Vilela, Saint Louis nurse Cori Bush, coal miner’s daughter Paula Jean Swearengin in West Virginia and New York-based Alexandria Ocasio-Cortez, who worked double shifts at restaurants to pay her family’s bills.

None of the women had previous political experience, but they gained attention after taking on heavyweight incumbents because they believed that the American system needed to change. Of the challengers, only Ocasio-Cortez won the vote and made it to Washington.

“It is a transcendent moment when skilled filmmakers are able to train their lens on a major transformation,” Lisa Nishimura, VP of Original Documentaries for Netflix, said in a statement. “With intimacy and immediacy, [filmmakers] Rachel Lears and Robin Blotnik, bring viewers to the front lines of a movement, as four women find their voice, their power and their purpose, allowing all of us to witness the promise of true democracy in action.”

This is not Netflix’s first major foray into U.S. political programming. The company signed up former U.S. President Barack Obama and his wife Michelle in a production deal announced last year, although the exact content that’ll come from that collaboration is not clear at this point.

“They have their eyes on film and television, fiction and non-fiction. They want to do programming, storytelling that fits in with what they did during the presidency, obviously,” Netflix chief content officer Ted Sarandos said last year, although he did rule out a focus on politics.

Obama was the first guest on David Letterman’s Netflix show and he indirectly features in the company’s catalog under ‘Barry,’ a drama that’s based on his life as a college student.

Netflix reportedly paid $10M for campaign documentary featuring Alexandria Ocasio-Cortez

Freshman Congresswomen and meme queen Alexandria Ocasio-Cortez is headed to Netflix. The streaming service said this week that it has snapped up ‘Knock Down the House,’ a Sundance award-winning documentary profiling the campaigns of four female progressive candidates, including Ocasio-Cortez, in the 2018 midterm election.

The documentary raised money via a Kickstarter campaign last year and it grabbed the Festival Favorite Award at the 2019 Sundance Film Festival, beating 121 other contenders to land the highest number of audience votes.

That acclaim and the rising star of Ocasio-Cortez looks to have made the picture a hot commodity. Deadline reports that Netflix is spending $10 million to secure the film, a price that — if true — would make it the most expensive Sundance documentary deal to date. It apparently beat off competition from NEON, Focus, Hulu and Amazon to land the production, according to Deadline.

‘Knock Down the House’ is produced by New York’s Jubilee Films and it profiles the campaigns of Las Vegas businesswoman Amy Vilela, Saint Louis nurse Cori Bush, coal miner’s daughter Paula Jean Swearengin in West Virginia and New York-based Alexandria Ocasio-Cortez, who worked double shifts at restaurants to pay her family’s bills.

None of the women had previous political experience, but they gained attention after taking on heavyweight incumbents because they believed that the American system needed to change. Of the challengers, only Ocasio-Cortez won the vote and made it to Washington.

“It is a transcendent moment when skilled filmmakers are able to train their lens on a major transformation,” Lisa Nishimura, VP of Original Documentaries for Netflix, said in a statement. “With intimacy and immediacy, [filmmakers] Rachel Lears and Robin Blotnik, bring viewers to the front lines of a movement, as four women find their voice, their power and their purpose, allowing all of us to witness the promise of true democracy in action.”

This is not Netflix’s first major foray into U.S. political programming. The company signed up former U.S. President Barack Obama and his wife Michelle in a production deal announced last year, although the exact content that’ll come from that collaboration is not clear at this point.

“They have their eyes on film and television, fiction and non-fiction. They want to do programming, storytelling that fits in with what they did during the presidency, obviously,” Netflix chief content officer Ted Sarandos said last year, although he did rule out a focus on politics.

Obama was the first guest on David Letterman’s Netflix show and he indirectly features in the company’s catalog under ‘Barry,’ a drama that’s based on his life as a college student.