Uppbeat launches a freemium music platform aimed at YouTubers

A new music platform, Uppbeat, aims to make it easier for YouTubers and other content creators to find quality free music to use in their videos. The system, which is designed to navigate the complexities of copyright claims while also fairly compensating artists, offers an alternative to existing free music platforms, including YouTube’s own Audio Library and Creative Commons’ legal music for videos, for example.

The idea for the startup comes from Lewis Foster and Matt Russell, the U.K.-based co-founders of another music-licensing company, Music Vine, which has been operating for about six years.

Last year, the co-founders realized there was a growing opportunity to address the creator space with a slightly different product.

“We were realizing, more and more, was that the creator space — YouTubers, streamers, podcasters — has become enormous, but there wasn’t a music platform that was doing a nice job for those type of users,” explains Foster. “So we sat down and thought about what the perfect music resource would look like for creators. That led to deciding to build Uppbeat,” he says.

They began developing the Uppbeat website in September 2020 and launched it to the public on Monday.

On the creators’ side, Uppbeat’s key focus is on eliminating headaches over copyright claims, particularly on YouTube.

Currently, if a YouTuber gets a copyright claim over music in their video, it can cause them to lose income. Though YouTube has worked to address this problem over the years with new features and changes to its Content ID match system, it’s still an issue.

“If a YouTuber gets a copyright claim, [YouTube] can de-monetize their video. And if they go through YouTube’s dispute system, it can take as long as 30 days for it to get resolved. It’s a pretty big frustration for YouTubers,” Foster says.

Uppbeat’s music will instead almost instantly clear the claims.

Image Credits: Uppbeat

Similar to Spotify, the Uppbeat website leverages a freemium model, To get started, creators can sign up for a free account that provides with access to about 50% of the site’s roughly 1,000-track music catalog and 10 downloads per month. The paid plan offers full catalog access and no download limit.

Free users simply add a credit to their YouTube video description to clear copyright claims, while paid users are added to an approved list, eliminating this extra step.

Because the tracks have to fingerprinted to fight off unlicensed usage, a copyright claim will still occur. But instead of taking days or weeks to resolve, it will be cleared within about five minutes, the company says. The Uppbeat system clears the claim by checking the video description for the necessary credit and by checking the claim against its list of paid users. This is all automated, too, which helps to speed things up.

Image Credits: Uppbeat

Meanwhile, on the artists’ side, Uppbeat will pays as their music is used — even by the free users.

The revenue from the premium subscriptions, and soon, advertising, is divided between the artists on a monthly basis, in proportion to the number of downloads the artist receives.

“What that means from the artists’ perspective is, on average, they’re going to make the same amount from tracks on the premium side as they do on the free side,” says Lewis. “It means, even for free usage, they will get paid,” he adds.

The site will also monetize through audio ads that play as you browse the tracks and listen to the music. (However, these are just promoting the paid plan for the time being.)

Browsing Uppbeat’s catalog is easy, too. The music is organized by genre, theme and style in colorful rows that aim to introduce all the different types of music and beats a YouTuber may need. For example, there’s music customized for use the background and other tracks that cater to different moods, like inspiring, calm, happy, dramatic, and more. A catalog of SFX (sound effects) is expected to be added in a few months, too.

Uppbeat believes its existing music industry connections with producers, composers and songwriters via Music Vine will help them to source higher-quality tracks than other free music services.

At present, the startup is self-funded through revenues from Music Vine, but Foster says they’ve had some VC interest. For now, though, the founders are looking to keep the ownership in-house, for the most part.

However, Uppbeat is experimenting with both a referral program and a profit-sharing scheme. The latter will allow YouTubers who bring Uppbeat new customers, then take the full revenue from those customers for two years’ time.

“We’re taking a massive sacrifice,” Foster admits. “But from from our perspective, the faster we can get Uppbeat out there and well-known in the YouTuber space, then we’re happy to share that [revenue]. We think it’s a cool idea to share that within the YouTuber community, rather than [take] a big private investment,” he notes.

The startup is also considering making shares in the company available to some larger YouTubers, Foster adds.

Today, Uppbeat is a team of 8 employees and 12 freelancers, based in Leeds, U.K.

 

YouTube CEO says EU’s new copyright legislation threatens jobs, smaller creators

YouTube CEO Susan Wojcicki published her quarterly letter to creators today, which included very strong language regarding the EU’s controversial copyright reform directive. Specifically, her letter focused on Article 13, the so-called “meme ban” that states that any site with a large amount of user-generated content – like Facebook or YouTube, for example – will be responsible for taking down content that infringes on copyright. Wojcicki says the way this legislation is written could “shut down the ability” of millions of people to upload to YouTube.

The legislation she’s referring to is Article 13 of the European Union Directive on Copyright in the Digital Single Market, which the EU Parliament just recently voted to back. The Directive contains several parts, including another concerning “link tax,” which gives publishers the right to ask for paid licenses when online platforms share their articles and stories.

But YouTube is most concerned with Article 13, which impacts sites with user-generated content. In order to comply with the law, sites like YouTube would have to automatically scan and filter user uploads to ensure they aren’t in violation of copyright.

But today, users often express themselves by sampling, remixing, and creating content using music, pictures and videos that would otherwise be considered copyrighted material. However, even though memes and parodies are protected by previous laws (in some countries), these upload filters wouldn’t be able to tell the difference between a copyright violation and a meme – and they’d block content that should be allowed. This is how Article 13 became to be known as the “meme ban.”

However, the language in legislation isn’t clear on how enforcement should take place – it doesn’t say, for example, that sites have to use upload filters. Others believe that YouTube’s existing Content ID system, which scans videos after upload, would be sufficient.

YouTube, for its part, seems to be believe that Article 13 will require more than the existing Content ID system to be compliant.

Writes Wojcicki, “Article 13 as written threatens to shut down the ability of millions of people — from creators like you to everyday users — to upload content to platforms like YouTube. It threatens to block users in the EU from viewing content that is already live on the channels of creators everywhere. This includes YouTube’s incredible video library of educational content, such as language classes, physics tutorials and other how-to’s,” she says.

The CEO also says Article 13 will threaten “thousands of jobs” – meaning those of EU-based content creators, businesses, and artists.

And she warns that YouTube may have to take down content from smaller, original video creators, as it would be liable for that content, saying:

The proposal could force platforms, like YouTube, to allow only content from a small number of large companies. It would be too risky for platforms to host content from smaller original content creators, because the platforms would now be directly liable for that content. We realize the importance of all rights holders being fairly compensated, which is why we built Content ID, and a platform to pay out all types of content owners. But the unintended consequences of article 13 will put this ecosystem at risk.

The company wants to weigh in on how the legislation is worded to protect its interests, and those of the larger creator community. Wojcicki said YouTube is committed to working with the industry to find a better way respect the rights of copyright holders, before the language in the EU legislation is finalized by year-end.

 

Other changes include expansion of memberships, premieres

While YouTube’s comments on Article 13 were the key part of today’s letter, Wojcicki also updated the community on its priorities for 2018.

This included an update on its plans to better communicate with creators, which it says it accomplished by increasing the number of product updates and “heads up” messages regarding changes to YouTube, including smaller tests or experiments, on its @TeamYouTube handle and the Creator Insider channel, in addition to its launch of YouTube Studio, where creators can read all the news and product updates.

The company also said that its new “self certification” video upload flow, where creators self-describe the content in their videos for advertisers, will roll out more broadly in 2019.

Newly launched channel memberships are also expanding their rollout, with the threshold now being lowered from 100,000 to 50,000 subscribers. Meanwhile, the new Premieres feature is now publicly available to all creators.

Other updates focused on what YouTube is doing across education, news and journalism, YouTube Giving charity work, gaming, and more. The full letter is on YouTube’s blog here.